Adventurer: Bernard Miles and the Mermaid Theatre by Alan Strachan (Wordville)
STR THEATRE BOOK PRIZE
Established to celebrate the Golden Jubilee of the Society for Theatre Research in 1998, the aim of the Book Prize is to encourage the writing and publication of books on British-related theatre history and practice, both those which present the theatre of the past and those which record contemporary theatre for the future. It was first awarded for books published in 1997.
The award is presented annually for a book on British or British related theatre which an independent panel of judges considers to be the best published during the previous year. All new works of original research first published in English are eligible except for play texts and studies of drama as literature.
The three judges, who are different each year, are drawn from the ranks of theatre practitioners, theatre critics, senior academics concerned with theatre, and theatre archivists, with a member of the committee of the Society for Theatre Research as chair.
To enter a title publishers send a copy directly to each of the judges. There is no limit to the number of titles that they may enter. Entry for books with 2023 copyright has officially closed but publishers who wish to make a late entry and for more information contact email@example.com
2024 Judges (for books published 2023)
Dr. Kate Dorney
Dr Kate Dorney is Senior Lecturer in Theatre and Performance at the University of Manchester and was previously Senior Curator of Modern and Contemporary Performance at the Victoria & Albert Museum. Her research and teaching interests range from Shakespeare to rock and pop costumes by way of theatre historiography, biography and textual analysis. Her publications include Played in Britain: Modern Theatre in 100 Plays (with F. Gray), The Changing Language of Modern English Theatre 1945-2009 and (with M. Gale) Stage Women 1900-50 and Vivien Leigh: Actress and Icon. She is currently working on a book about Black British playwright Winsome Pinnock and (with Cara Berger) a co-edited collection on Curating Performance for Cambridge University Press.
Clive Davis has been chief theatre critic of The Times since 2020. He has more than forty years of experience in journalism. He started his career as a reporter and editor at West Indian World newspaper in Tottenham before joining the BBC as a news trainee. He began writing for The Times in 1987. When he is not loitering at premieres he writes about the less popular end of popular music, and contributes book reviews on history, politics and race.
Theatre PR Kevin Wilson launched his public relations company, KWPR, in 1995 after 18 years as a show-business journalist. He has since become a sought after prize-winning theatre press rep across the West End, UK tours and fringe theatre, handling all kinds of production from the biggest West End musicals, dramas and dance productions to one-man shows.
Submissions are the choice of their publishers. They are not limited in number but must meet the criteria outlined above. This long list is not yet complete – more titles are being added constantly so please check back for new titles.
Click on a book cover image below for a direct link to the publisher’s own information about that title.
Long list 2024 in alphabetical order
Anthropocene Theater and the Shakespearean Stage by William H. Steffen (Oxford University Press)
Bernard Shaw: Reimagining Women and Ireland, 1892-1914 by Audrey McNamara (Palgrave Macmillan)
Crisis: The Theatre Responds by Carol Rocamora (Salamander Street)
Different Aspects by Michael Ball (Blink Publishing)
“Don’t Forget the Pierrots!” by Tony Lidington (Routledge)
Drag: A British History by Jacob Bloomfield (University of California Press)
Exploring Shakespeare by Bill Alexander (Nick Hern Books)
Final Curtain Call by Rodney Hardcastle (Headfield Publishing)
Frank Exchanges by David Wood (The Book Guild)
From Playtext to Performance on the Early Modern Stage by Leslie Thomson (Routledge)
The Great White Bard by Farah Karim-Cooper (One World Publications)
The Heaviest of Swells Vol 2 by Christopher Beeching (Douglas Foote)
Leicester’s Men and Their Plays by Laurie Johnson (Cambridge University Press)
Liberal Lives and Activist Repertoires by Tracy C. Davies (Cambridge University Press)
Live Digital Theatre by Aleksandar Sasha Dundjerovic (Routledge)
Making it So by Patrick Stewart (Gallery Books)
Mime into Physical Theatre 1970-2000 by Mark Evans and Simon Murray (Routledge)
Performing Restoration Shakespeare Ed by Amanda Eubanks Winkler, Claude Fretz and Richard Schoch (Cambridge University Press)
Pru and Me by Timothy West (Michael Joseph)
Rose of Kingston by Frank Whately (Rose Theatre)
Running the Room by Rosemary Waugh (Nick Hern Books)
Shakespeare: The Man Who Pays the Rent by Judi Dench with Brendan O’Hea (Michael Joseph)
Sport and Performance in the Twenty-First Century by Kelsey Blair (Routledge)
Staging Female Characters in Shakespeare’s English History Plays by Hailey Bachrach ((Cambridge University Press)
A Star Reborn:Theatre Royal Drury Lane by Pamela Hartshorne (Scala)
Text and Performance in Contemporary British Theatre by Catherine Love (Routledge)
The Visual Life of Romantic Theatre 1780-1830 edited by Diane Piccitto and Terry F. Robinson (University of Michigan Press)
What Actors Do by Mike Alfreds (Nick Hern Books)
A short list will be announced in the Spring and the winner at a presentation in June, exact dates not yet determined.
Scroll down for details of a list of previous winners and an archive of reports on past presentations.
Previous winners (by year of publication)
2022- An Actor’s Life in 12 Productions by Oliver Ford Davies (Book Guild)
2021 – Stirring Up Sheffield by Colin and Tedd George (Wordville)
2020 – Black British Women’s Theatre by Nicola Abram (Palgrave Macmillan)
2019 – Dark Star: A Biography of Vivien Leigh by Alan Strachan (I B Tauris)
2018 – Year of the Mad King: The King Lear Diaries by Antony Sher (Nick Hern Books)
2017 – Balancing Acts by Nicholas Hytner (Jonathan Cape)
2016 – Stage Managing Chaos by Jackie Harvey with Tim Kelleher (McFarland)
2015 – The Censorship of British Drama 1900-1968 by Steve Nicholson (University of Exeter Press)
2014 – Oliver! by Marc Napolitano (Oxford University Press)
2013 – The National Theatre Story by Daniel Rosenthal (Oberon)
2012 – Mr Foote’s Other Leg by Ian Kelly (Picador)
2011 – Covering McKellen by David Weston (Rickshaw Publishing)
2010 – The Reluctant Escapologist by Mike Bradwell (Nick Hern Books)
2009 – Different Drummer: the Life of Kenneth Macmillan by Jann Parry (Faber & Faber)
2008 – Theatre and Globalisation: Irish Drama in the Celtic Tiger Era by Patrick Lonergan (Palgrave Macmillan)
2007 – State of the Nation by Michael Billington (Faber & Faber)
2006 – John Osborne: A Patriot for Us by John Heilpern (Chatto & Windus)
2005 – 1599: A Year in the Life of William Shakespeare by James Shapiro (Faber & Faber)
2004 – Margot Fonteyn by Meredith Daneman (Penguin/Viking)
2003 – National Service by Richard Eyre (Bloomsbury)
2002 – A History of Irish Theatre 1601-2000 by Christopher Morash (Cambridge University Press)
2001 – Reflecting the Audience: London Theatregoing, 1840-1880 by Jim Davis & Victor Emeljanow
– (Iowa University Press/University of Hertfordshire Press)
2000 – Politics, Prudery and Perversions…. Censoring the English Stage 1901-1968 by Nicholas de Jongh (Methuen)
1999 – Garrick by Ian McIntyre (Allen Lane)
1998 – Threads of Time by Peter Brook (Methuen)
1997 – Peggy: the Life of Margaret Ramsay, Play Agent by Colin Chambers (Nick Hern)
Book Prize Archive
The Book Prize has been awarded each year since 1997.
Click on the links for more information.