STR Theatre Book Prize

Established to celebrate the Golden Jubilee of the Society for Theatre Research in 1998, the aim of the Book Prize is to encourage the writing and publication of books on British-related theatre history and practice, both those which present the theatre of the past and those which record contemporary theatre for the future.  It was first awarded for books published in 1997.

The award is presented annually for a book on British or British related theatre which an independent panel of judges considers to be the best published during the previous year.  All new works of original research first published in English are eligible except for play texts and studies of drama as literature.

The three judges, who are different each year, are drawn from the ranks of theatre practitioners, theatre critics, senior academics concerned with theatre, and theatre archivists, with a member of the committee of the Society for Theatre Research as chair.

 

Sir Antony Sher wins 2019 Theatre Book Prize

Year of the Mad King: The King Lear Diaries, Sir Antony’s account of his creation of King Lear for the RSC, was declared the winner of the Theatre Book Prize (for books published in 2018) at the ceremony on 11th June. The announcement was made at the Delfont Room of the Prince of Wales Theatre by actor and dramatist David Wood.

 

When the judges spoke about the year’s entries the audience of writers, publishers, academics and theatre folk heard judge Daisy Bowie-Sell say of the book:

 

Year of the Mad King is not the first time that Antony Sher – one of our finest theatre actors – has documented his journey through a role, and I suspect it won’t be his last. That King Lear is a monumental amount of emotional and physical work for any actor is well known, which is why it is such an inspirational joy reading about Sher’s work in Gregory Doran’s heralded production for the RSC. Sher’s book is, at heart, the story of an actor. It demonstrates beautifully too, the fickle, changing nature of the job – at the beginning of the book, which takes the form of diaries with Sher’s own accomplished sketches included, Sher is coming to the end of playing Willy Loman in Death of a Salesman (another role he was much applauded for).

Actor’s lives are filled with transitions – from role to role, from theatre to theatre and there is an acute sense of this in Year of the Mad King.  What I love most about this book is its humanity. Its sense of a human, not a towering theatrical figure, but a person finding their way through a remarkable role written by another remarkable human being.

It lays bare the art of the actor in such an accessible, enjoyable way, whilst also offering insight into the oft hidden community and lives of actors the rest of us mortals tend to revere. It also demonstrates the sheer, brutal hard work that goes into creating a role like this.

As Sir Anthony Sher was indisposed and unable to attend, he was represented by his publisher, Nick Hern, who received the award on his behalf.

 

This year’s STR Theatre Book Prize was hotly contested by a short-list that included two collections of edited letters that let us see into the way plays get put on, a history of the building of post-war theatres and a study drawing on two decades of British staging of Bollywood and Bhangra.

The shortlist was:

Dramatic Exchanges edited by Daniel Rosenthal (Profile Books)

Modern Playhouses by Alistair Fair (Oxford University Press)

Peggy to her Playwrights edited by Colin Chambers (Oberon Books)

Staging British South Asian Culture by Jerri Daboo  (Routledge)

Twenty Theatres to See Before You Die by Amber Massie-Blomfield (Penned in the Margin)

Year of the Mad King: The Lear Diaries  by Antony Sher (Nick Hern Books)

2019 Judges

Daisy Bowie-Sell

Daisy Bowie-Sell is Editor of the UK’s largest theatre website, WhatsOnStage. Covering theatre up and down the country, her daily job involves commissioning, editing and writing reviews, news stories, features, interviews, digital content and much more. She was Deputy Theatre Editor at Time Out London between 2013 and 2015 where she worked on the internationally recognised weekly magazine, covering theatre but also film and events. Before that she was a journalist on the arts desk of The Telegraph – working on the daily pages as well as the weekly arts supplement and the website. She has worked as a new writing editor for theatre publishers Oberon Books and she has an MA in Journalism from Goldsmiths, University of London. She has freelanced for outlets including Ambit Magazine, The Guardian and The Telegraph. @daisy5660

David Byrne

Artistic and Executive Director of New Diorama Theatre, David Byrne is a playwright and theatre director, whose first play won a Writers’ Guild & List Magazine Awards for Drama. Since, his work has been presented as part of the Arts Council England’s Escalator showcase, received the Charlie Hartill Fund for emerging artists and won the 2014 Les Enfants Terribles Prize. David was also a winner of BBC Writers’ Room national script contest; and now has several scripts under commission with BBC Television and Channel 4. As a founding member of New Diorama Theatre, David's programme has been awarded three Peter Brook Awards; the first for “establishing a central London home for ensemble theatre” and the second for its support of young NDT Associate Theatre Company, The Faction and the third, in 2016, as the main panel prize. New Diorama has been shortlisted for Fringe Theatre of the Year at The Stage Awards and David has been awarded Artistic Director of the Year at the OffWestEnd Awards. New Diorama’s outreach programme has won three Arts and Business Awards and led them to be named as Mayor of Camden’s Charity 2012/13.

Jim Davis

Jim Davis is Professor of Theatre Studies at the University of Warwick, where he was also Head of Department from 2004-2009. From 1976-1986 he taught in the Drama Department at Roehampton Institute of Higher Education (now Roehampton University) and from 1986-2003 he taught at the University of New South Wales in Sydney, Australia, where he eventually headed the School of Theatre, Film and Dance. His major research interest is in nineteenth-century British theatre and his most recent books are Comic Acting and Portraiture in Late-Georgian and Regency England (2015 - winner of the 2017 David Bradby Award), theatre & entertainment (2016) and Volume II of a two-volume edition of nineteenth-century dramatizations of Dickens (2017). He is also joint-author with Victor Emeljanow of a study of London theatre audiences in the nineteenth century, Reflecting the Audience: London Theatre-going 1840–1880 (2001), which won the Theatre Book Prize in 2002. He has also edited a book on Victorian pantomime. Currently, he is working on a project on Theatre and Visual Culture in nineteenth-century Britain. He is an editor of Nineteenth Century Theatre and Film.

Thirty-two other Books (published in 2018) entered for the 2019 Prize

Previous winners

2017-Balancing Acts by Nicholas Hytner (Jonathan Cape)

2016 – Stage Managing Chaos by Jackie Harvey with Tim Kelleher (McFarland)

2015 – The Censorship of British Drama 1900-1968 by Steve Nicholson (University of Exeter Press)

2014 – Oliver! by Marc Napolitano (Oxford University Press)

2013 – The National Theatre Story by Daniel Rosenthal (Oberon)

2012 – Mr Foote’s Other Leg by Ian Kelly (Picador)

2011 – Covering McKellen by David Weston (Rickshaw Publishing)

2010 – The Reluctant Escapologist by Mike Bradwell (Nick Hern Books)

2009 – Different Drummer: the Life of Kenneth Macmillan by Jann Parry (Faber & Faber)

2008 – Theatre and Globalisation: Irish Drama in the Celtic Tiger Era by Patrick Lonergan (Palgrave Macmillan)

2007 – State of the Nation by Michael Billington (Faber & Faber)

2006 – John Osborne: A Patriot for Us by John Heilpern (Chatto & Windus)

2005 – 1599: A Year in the Life of William Shakespeare by James Shapiro (Faber & Faber)

2004 – Margot Fonteyn by Meredith Daneman (Penguin/Viking)

2003 – National Service by Richard Eyre (Bloomsbury)

2002 – A History of Irish Theatre 1601-2000 by Christopher Morash (Cambridge University Press)

2001 – Reflecting the Audience: London Theatregoing, 1840-1880 by Jim Davis & Victor Emeljanow
– (Iowa University Press/University of Hertfordshire Press)

2000 – Politics, Prudery and Perversions…. Censoring the English Stage 1901-1968 by Nicholas de Jongh (Methuen)

1999 – Garrick by Ian McIntyre (Allen Lane)

1998 – Threads of Time by Peter Brook (Methuen)

1997 – Peggy: the Life of Margaret Ramsay, Play Agent by Colin Chambers (Nick Hern)

Book Prize Archive

The Book Prize has been awarded each year since 1997.

Click on the links for more information.