Vol. 51, No. 3
Was Totus Mundus Agit Histrionem Ever the Motto of the Globe Theatre?
The Georgian Theatre in Sydney: Some Facts and Problems
Thomas Doggett at Cambridge in 1701
An Unknown Backstage Painting: Nixon's "Peep Behind the Scenes, Covent Garden Theatre"
William J. Burling
The Lights O' London and Other Victorian Plays
Michael R. Booth, ed.
Trilby and Other Plays
George Taylor, ed.
Female Playwrights of the Nineteenth Century
Adrienne Scullion, ed.
Anthony B. Dawson
The Making of the Professional Actor
Adrian Cairns, with a foreword by Jeremy Irons
Dramatic Art: Theatrical Paintings from the Garrick Club
Was Totus Mundus Agit Histrionem Ever the Motto of the Globe Theatre? –§– The Georgian Theatre in Sydney –§– Thomas Doggett at Cambridge, 1701 –§– An Unknown Backstage Painting: Nixon’s “Peep Behind the Scenes, Covent Garden Theatre”.
Prof. Katherine Worth, retiring editor; Dr Marion O’Connor, new editor; fifty years of Theatre Notebook.
NOTES & QUERIES
Medieval Puppet Shows: Text Completed
A Gallery Placated
Members’ Research Interests: Stanton Theatrical Family; Iris Warren
Ristori in Australia
The Hovenden Theatre Club
Glossary of Terms Used in Variety, Vaudeville, Revue & Pantomime, 1880-1960, compiled by Valentyne Napier
The descendants of Robert William Elliston, by Michael J. Wood
Noel Coward and Radclyffe Hall, Kindred Spirits, by Terry Castle
The Swelling Scene, introduced by Alan Plater
Journey Through Stageland – The Collins Family of Glasgow, by Josette Collins Marchant