< Theatre Notebook

Vol. 30, No. 2

pp49-144, 1976 - bound as one issue with no. 3

Articles

  1. Waxworks as a Source of Theatrical Iconography: Madame Tussaud's and the Nineteenth-Century British Stage

    A. H. Saxon

  2. A Lupino Collection of Costume Designs

    Sybil Rosenfeld

  3. The Source of the "Fulgens" Woodcut

    Robert Mullally

  4. The Middle of the Yard, Part II. The Calculation of Stage Sizes for English Renaissance Playhouses

    Leonie Star

  5. Tony Aston's "Medley's"

    Mary A. Nickles

  6. Tradition and Innovation in Harley Granville Barker's "A Midsummer Night's Dream"

    Trevor Griffiths

  7. Thomas Arne to David Garrick, an Unrecorded Letter

    P. T. Dircks

BOOK REVIEWS

The Medieval English Stage: Corpus Christi Pageants and Plays

Alan H. Nelson

The Gaiety Years

Alan Hyman

La documentation théâtrale audio-visuelle, en particulier au service de l'enseignment at de l'animation culturelle: Actes de Xe Congrès International de la SIMBAS

Cahiers Théâtre Louvain, 1974

Waxworks as a Source of Theatrical Iconography: Madame Tussaud’s and the 19thC British Stage –§– A Lupino Collection of Costume Designs –§– The Source of the “Fulgens” Woodcut –§– The Middle of the Yard, II: The Calculation of Stage Sizes for English Renaissance Playhouses –§– Tony Aston’s “Medley’s” –§– Tradition and Innovation in Harley Granville Barker’s “A Midsummer Night’s Dream” –§– Thomas Arne to David Garrick, an Unrecorded Letter.

NOTE: nos 2 & 3 of vol. 30 were originally produced bound together as one, and are only available in that format – the price, however, remains as for a single issue.

EDITORIAL

An appreciation of the late Allardyce Nicoll

 

NOTES & QUERIES

An Early Performance of The Factory Lad Outside London


Victorian Studies Bulletin


Letters from a Theatrical Scene Painter (Thomas William Erle)

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