Professor Martin WHITE
Department of Drama: Theatre, Film, Television
University of Bristol
Bristol BS8 1UP

email: Martin.White@bristol.ac.uk

• Early modern English professional theatre and drama
• Non-Shakespearean drama of 16th/17th century
• History of playhouses
• Early modern drama in the modern theatre

Prof Don B WILMETH
Box 1897, Dept of Theatre Speech & Dance
Brown University
Providence
RI 02912
USA

Don_Wilmeth@brown.edu
tel: 401-863-3289
fax: 401-863-7529

• Major interest: 19th century British and American theatre, especially popular theatre.entertainments.
• Also strong interest in Anglphone acting and the cross-fertilisation between American and British theatre
• History of acting in general an interest; have done considerable research on early 19th century British theatre and acting (culminating in a published biography of George Frederick Cooke).

Dr David WILMORE
Dacre Hall
Dacre
Somerbridge
North Yorkshire HG3 4ET

david@theatresearch.co.uk

• Theatre Architecture
• Theatre Architects
• Theatre Fires
• Stage Machinery
• History of Theatre Technology

Ms Hilary WILSON
See: Student Members

Thelma WILSON
See: Baldwin

Colin WINSLOW
Apt.206,
10009-102 Ave.
Edmonton
Alberta T5J 5B6
Canada

cwinslow@shaw.ca
+1 780 756 0140

• Stage design in general
• History of stage design and theatrical effects
• Costume design
• History of Pantomime

• "The Oberon Glossaary of Theatrical Terms" (Oberon Books, 1991) "Pantomime, a Practical Guide" co-author with Tina Bicat (The Crowood Press, 2004)
• "The Handbook of Set Design" (The Crowood Press, 2006)
• "The Handbook of Model-making for Set Designers" (The Crowood Press, 2008)
• "The Handbook of Techniques for Theatre Designers" (The Crowood Press, 2010)

Ms Suz WINSPEAR
Flat 2, 63 Park Avenue
Barbourne
Worcester
Worcs WR3 7AJ

• Early 19th century provincial theatre.
• Actor-managers John, Charles and George Crisp and their circuit (Midlands and Wales).

Michael WITHERS

email: mwithers@pavilion.co.uk

• I am generally interested in the history of musical theatre and opera, and especially in the development of musical theatre in London from the 1680s through to the 1730s - from the semi-opera to the emergence of ballad opera.
• Composers of particular interest include John Eccles, Giovanni Battista Draghi, and other contemporaries of Henry Purcell.

Jonathan WOOD
106 Tower Street
Brightlingsea
Colchester
Essex  CO7 0AN

01206 307100
jon_eliz@hotmail.com